Tag graffiti

4 Corners : An Interview with Errol Donald AKA Pride

This month, while we face the winter blues of New Year, we stay home in London and in the warm company of someone I have been blessed to call a friend for more than 30 years. Mr Errol Donald, AKA Pride. We were initially brought together in our teens through a mutual friend, because of our love for George Clinton and all things P-Funk. Followed by a shared passion for design and creativity, as time passed and we developed our own career paths as creative professionals. Throughout that time I have always admired Errol greatly. Like some designer superhero, he effortlessly glided between the worlds of graffiti and graphic design, making his mark on both sides of the track. In the ‘80s, as his alter ego ‘Pride’, he was a founder member of one of Europe’s most celebrated and respected graffiti crews, The Chrome Angelz. He custom-designed t-shirts, like his classic ‘Nike/Spike’ design, which was a total game-changer in my opinion. Then followed a period working as a designer for the classic French brand, Michelin. And in more recent times, and perhaps somewhat surprisingly for a former graffiti artist, working for the international law firm, Hogan Lovells as an executive creative director. As a creative facilitator and educator, Donald has also worked with the Letter Exchange delivering lectures and workshops in graffiti and typography both here and abroad. And he continues to work tirelessly in the community sharing his mad skills and experiences with young people. There’s a lot in a tag, and in Errol’s case its truly fitting. Pride by name, pride by nature.Errol Donald

Errol Donald AKA Pride: creative director, lettering artist, lecturer

What’s your background?

I was born and raised in West London to Jamaican parents. I was fascinated by the many ways in which the youth of my elder brother’s generation chose to express their own identities. From music, politics, right through to fashion and attitude. Culture and creativity seemed to go hand in hand. In trying to be different, I drew inspiration not just from my immediate surroundings and largely Caribbean culture, but also from anything that seemed to challenge the norm, and so I became very curious about how culture was being expressed elsewhere. I studied graphic design at Camberwell School of Art and enjoyed the multi-disciplinary environment and emphasis on traditional practice. Around the same time, Hip Hop had made its way into the UK, and I was hooked! The references to popular culture, politics, and community, confidently expressed by my peers caught me at a time when I was ready to make my own mark as a creative artist. I quickly established myself within London’s Hip Hop community as a graffiti artist with The Chrome Angelz. As a collective, we shared a passion for the visual arts and traditional arts practice and sought to find a way of honouring the original pioneers of the movement, by developing a distinctly European aesthetic. It was a completely new and exciting education for me. I took a year out from my degree studies to paint, collaborate, and experiment. We were very active across the UK and in Europe, yet retained the freedom to carry out solo projects that took us all in new and interesting directions. The autonomy gave me the ideal opportunity to freely express my own ideas across a range of creative disciplines. The Spike T-shirt was a self-initiated project. I wanted to capture the tension between cultural and corporate identity in a single image. It was part of a series and was undoubtedly the most popular! I returned to complete my degree with a lot of confidence, and dedicated my final year to academic research that examined the creative, social, and wider cultural impact of graffiti culture.Chrome Angelz poster

Chrome Angelz poster

How did you get started in your field of expertise?

After graduating, I made the most of my mixed skillset and gained a lot of industry exposure through film, TV and advertising projects. I also began to play a more meaningful role in my community, working in the arts and education, and was invited on to the board of ACAVA, an arts charity based in West London. A few months later, I joined the in-house team at Michelin – a very traditional brand with a proud lineage. Though a little challenging at first, there I was able to utilise my range of skills and experiences and made the transition to commercial branding, which to me shared a number of similarities with brand-conscious nature of graffiti and hip-hop culture. I’ve gone on to enjoy a successful career in the business sector, leading creative teams for global brands across a number of industry sectors (energy, finance, property, law). I love the intercultural enagement the most, as there’s always a part of me that’s able to facilitate a sense of shared understanding.'Nike/Spike'

‘Nike/Spike’

What challenges did you face/overcome in getting into the industry and achieving your ambitions?

As an artist, my early efforts to take graffiti art into (then new) spaces polarised opinion amongst graffiti artists, and the general public. Both audiences were wary of the impact that graffiti would have on their respective communities as it sought ‘acceptance’ in the public realm. As a design professional, my mixed skillset opened some doors, and kept others firmly closed. The familiar dilemma of tailoring my portfolio was worsened by the fact that clients were wary the negative impact on brand and reputation brought on by association with graffiti culture.TDK press ad

TDK press ad

Who and/or What are your greatest inspirations and influences?

My parents and my son, Wesley. Broadcaster and author Alex Pascal was the first to paint a picture of the world outside my window by weaving together culture and creativity. Books: Photographer Charlie Phillips’ – ‘Notting Hill in the Sixties’, Watching my name go by – Norman Mailer and Jon Naar, Getting Up – Craig Castleman, and many more! Not surprisingly, I’m drawn to maverick creativity. My tastes are quite varied and include everything from Thelonious Monk to P-Funk, Alvin Ailey to David Mamet and Ricky Jay. I also admire the wit of Patrick Caulfield and the works of designers Ron Arad, Philippe Starck and Terence Conran. It goes without saying that graffiti and hip-hop culture have provided many amazing moments. I was year into my degree and came across an article on the visionary artist and performer  Rammellzee. His unique theories on lettering and language left me mesmerised.Ties for Michelin

Ties for Michelin

What is your best piece of work or the project you are most proud of?

My first exhibition at the Arnolfini gallery in Bristol means a great deal as it was my first gallery experience, and I think it one of the first shows in the UK dedicated to graffiti art. I’ve been lucky to work on a number of projects that I am passionate about. From my first press illustration for TDK, to branding Brixton’s Rough and Ready basketball tournament. I love type and lettering, and recently became a member of Letter Exchange, where I gave a lecture on the aesthetics of graffiti art to a mixed audience of lettering professionals, friends, and family members, most of whom had no idea of my ‘creative past’! In commercial terms, I’m very proud to have led the rebranding programme for  international law firm Hogan Lovells. I had already completed a number of similar projects for other companies, but the scale of the project, spanning different teams and countries made the project rewarding.Work in Bristol's Arnolfini Gallery

Work in Bristol’s Arnolfini Gallery

What would be your dream job or project?

Through my company Mindspray, I want to expand my work as a facilitator and consultant to build sustainable links between education, vocational training and business. I’m passionate about collaboration and exchange, and would love to create a global initiative that drew both culture and commerce together.Work for Brixton's Rough and Ready basketball tournament

Work for Brixton’s Rough and Ready basketball tournament

Please name some people in your field that you believe deserve credit or recognition, and why.

Cornbread, Iz, Blade, Barbera 62 & Eva 62, Stay High 149, Tracy 168, Seen, Kase 2, Phase 2, Lee Quinones and Dondi are among the many important figures and pioneers of graffiti culture. Colin Brignall and Dave Farey – for Letraset! What more can I say? Tony Messenger, my tutor at Camberwell who allowed me to take a year out to follow my passion. Artists Simon Cooley and Rita Keegan were amongst the few practising artists to offer advice and encouragement as I swapped sable for aerosol. London’s hip-hop community during the ‘80s for doing things that I’ve never seen before. Or since. All the educators, academics, researchers and many others who have shared their knowledge and experiences with me. Too numerous to list here, all have helped to shape my understanding of cultures past and present, and deserve much credit.Taxonomy

Taxonomy

What’s your best piece of advice for those wanting to follow in your footsteps?

Always Be Curious.

What’s next for you?

I’ve just completed a creative campaign for the international charity Coaching for Hope, who use football to create better futures for young people in western and southern Africa. Supported by FIFA, HSBC, Hogan Lovells and nPower, the project will raise awareness around the challenges faced by young women and girls playing sport in South Africa, and aims to educate young women and girls about their rights to play football and remain safe when faced with discrimination and violence. By visiting townships and areas of high unemployment where the work is undertaken, my goal is to build awareness of the campaign and to extend the reach of the programme to other regions and countries where young women and girls face similar issues.Hogan Lovells identity

Hogan Lovells identity

Network

THE U.S:

My Rock Stars: Volume 2, the first American solo show by Moroccan-born artist Hassan Hajjaj. The body of work produced for this exhibition is a continuation of Hajjaj’s ‘Rock Stars’ series, in which the artist portrays his close personal friends in the guise of ‘rock stars’. Taking his pop-up studio through Morocco, London and Paris, Hajjaj’s approach combines the spontaneity of street portraiture with the language of fashion photography, creating an image that simultaneously evokes urban culture and the haute couture of glossy magazines. Runs until 22 February at Gusford Gallery, 7016 Melrose Avenue, Los Angeles, CA 90038For more info visitwww.gusfordgallery.com

Albus is South African photographerJustin Dingwall’s solo exhibition made in collaboration with Thando Hopa. It explores the aesthetics of Albinism in contrast with the idealised perception of beauty. Albinism touches every ethnic group and is characterised by the insufficiency of melanin that determines skin and hair color. Rejected, prejudiced and discriminated individuals suffering from albinism in Southern Africa are likely to become targets and victims of physical attacks and mutilations. The project reflects the ability to look inside ourselves and re-invent norms of beauty. M.I.A. Gallery 1203 A Second Avenue Seattle, 98101 WA, USA. For more info visithttp://m-i-a-gallery.com

THE CARIBBEAN:

Jamaica Jazz & Blues Festival 2014. Featuring a stellar line-up of international artists, this firmly established event on the global festival calendar takes place between 31 January and 1 February at Greenfield Stadium, Trelawny, Jamaica. For more information visit http://jamaicajazzandblues.com

EUROPE:

Tom Eckersley: Master of the Poster. To mark the centenary of legendary graphic designer Tom Eckersley’s birth, London College of Communication presents an exhibition of iconic Eckersley poster designs which celebrate his enormous contribution to graphic communication and design education in Britain. Exhibition Open: 11 – 29 January 2014, 10:00am – 5:00pm (closed on Sundays) London College of Communication, Elephant & Castle SE1 6SB.For more info visit http://www.arts.ac.uk/lcc/

Herbert Bayer’s Commercial Graphics, 1928-1938 is a special exhibition at the Bauhaus Archive dedicated to the work of the Bauhaus teacher – between his departure from the Bauhaus and his emigration to the USA. The exhibition showcases the commercial graphic work of Bayer during the Weimar Republic and in Nazi Germany, after his departure from the Bauhaus. With his work for Dorland Studio, Bayer continued to be one of the most successful and highest-earning graphic artists of the period. At The The Bauhaus Archive/Museum of Design, Klingelhoferstrasse 14 10785 Berlin Germany. For more information visit http://www.bauhaus.de

AFRICA:

ONOMOllywood, a collaborative project by photographers Antoine Tempé and Omar Victor Diop of twenty images inspired by iconic moments from great American and European films. Cinema as a universal art form transcends barriers, be they geographic, cultural, or racial. Iconic scenes have influenced popular culture globally. ONOMOllywood reimagines these famous scenes set in the dynamic cities of Dakar and Abidjan where hotels become the metaphorical juncture. As crossroads, they represent forums where cultures and people from around the world co-exist and merge in a permanent cycle of reinventions and reinterpretations. Onomo Hotel Dakar Airport Route de l’Aéroport BP 38233 Dakar, Yoff, Senegal. For info visit  http://www.onomohotel.com

If you have any forthcoming events that you would like to be considered for inclusion in this column, please do not hesitate to contact me by email at info at jon-daniel dot com.

 

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4 Corners: An Interview with Sindiso Nyoni aka R!OT

‘Every man gotta right to decide his own destiny…’ This opening line to Bob Marley and The Wailers classic track, ‘Zimbabwe’ (from the album ‘Survival, 1979) aptly sets the scene for this month’s destination and profiled graphic artist.

Born in 1984, he is a product of his country’s Independence, which was realized in 1980. In his own words he was ‘born free from the segregation and colonial repression’ that blighted Zimbabwe’s past, but still ‘grew up in turbulent times characterized by the internal conflicts of the Shona and Ndebele factions’.

Experiences like this must surely go some way to explain how his tender age belies the depth and range of his work. And the impact he has made not just continentally, beyond the land-locked borders of his homeland, but also internationally in North & South America, Europe and the Far East is equally impressive.

Sindiso Nyoni aka R!OT, over to you.Sindoso Nyoni

Source: Kamo Mogashoa

Sindoso Nyoni, AKA R!OT, graphic artist/designer

What’s your background?

I am an independent graphic artist, born and raised in Bulawayo, Zimbabwe. I am the seventh child in a family of nine. Zimbabwe is widely known for its unique craftsmanship in the arts, from sculptures, masks, traditional ornaments to music and drama. As well as Zimbabwe being a ‘once’ booming African economy, this allowed for me to be exposed to abundant forms of art and popular culture as a four-year-old in the late 80s. I was so inspired from all these surroundings, and it was then that I developed a love for drawing. I haven’t stopped since. This developed into creating my own limited series of handcrafted comics in primary school, right through to high school, where I took art classes at a Catholic institution in Bulawayo. It was here that I was first introduced to the art of communication design by a retired New York Graphic designer, who had relocated to the continent, to teach art. She gave me invaluable insights into the profession and I left Bulawayo for Johannesburg in 2005, enrolling in a four-year communication design course while working as a barman and freelance artist/designer in order to pay my way through college. In 2008, I graduated from the University of Johannesburg with a BTech degree in Graphic Design.Freezim artwork, part of the Voices in Freedom exhibiton in Mexico (2010)

Freezim artwork, part of the Voices in Freedom exhibiton in Mexico (2010)

How did you get started in design?

After graduating, I moved to Cape Town where I joined an illustration studio as an intern and collaborated on projects for brands such as Fifa, Nike, Adidas, Smirnoff, HP, Shell and Audi. During my time with the collective I was part of the illustration teams on some Cannes Lion-winning campaigns. Prior to this, during my time as a student, I got into activist art and poster making. I became involved in exhibition showcases, and In 2010 I was part of the global Voices in Freedom poster exhibition alongside several international activist artists. After spending two years working as an illustrator, I relocated back to Johannesburg, where I spent almost two more years working as an art director/designer for an advertising agency. I continued to showcase art via invitational involvements and in 2011 I took part in the Piñatarama 2.0, (Art piñata) exhibition at the Museum of Modern Art in Mexico City. I also got to exhibit frequently in group shows locally, and in 2012 I was selected as a participating artist at the Art Takes Times Square exhibition on New York Times square. In 2013 I took part in the Dizajn Afrike (Contemporary design in Africa): Dyalli Association exhibition in Croatia. This exhibition formed part of the ‘Week of Africa’ celebrations in Croatia from the 22nd of May. In the same year, Outdoor ad company JCDecaux, in association with Icograda showcased 50 posters by 50 designers on digital billboards in London’s Cromwell Road for World Communication Design Day. The world’s most promising design talent was chosen to exhibit their work created to the theme of ‘1Love1Word’. My piece, entitled Amandla – All power to the Dreamers, represented South Africa. In late 2010 I developed R!OT, an alias that explores a subversive African ‘street’ style under which I have been operating as an independent graphic artist and illustrator since.Adidas shoe-box work

Adidas shoe-box work

What challenges did you face/overcome in getting into the industry and achieving your ambitions?

During the short space of time in which I have been operating as a creative, I have treated failures, challenges and obstacles as stepping stones to getting to where I would eventually like to be. The first obstacles encountered came early in my college years, when I moved to Johannesburg. I had to freelance and double up as a barman/waiter to raise tuition fees to pay for my degree. Once this was achieved the second goal was to step into the industry and make a mark or name for myself. This proved difficult, in an industry which already has so many gate-keepers. At that time not too many creatives of colour were prominently visible. So, getting some sort of recognition has been a challenging long process, but a challenge that I’ve learnt a great deal from. Growing up in the turbulent times of Zimbabwe inspired my artwork as well, which reflects the social wounds left by a bitter struggle against colonial repression and of course the internal conflicts of the Shona and Ndebele factions. The link to social activism is what denotes my ‘African’ design aesthetic. By combining images and text to inspire people out of placidity my work attempts to tackle some of Africa’s most pressing issues in the form of visual art. Sadly most of the time our industry spends its time promoting commercial products rather than issues that really matter. This is compounded by the fact that as an emerging creative on your career path, in order to get noticed you have to have some big-name brands in your portfolio. In the professional creative industry, there is seldom any room for social communication. Briefs and concepts are often commercially driven, creating a dilemma faced by creatives today, ‘work for charities is cool but doesn’t pay the bills.’ I personally feel that it is a great value for creatives to know that they have tools and the ability to effect massive change, and not always within a for-profit organization. This is why I do not use my skills to support brands or companies that I feel have a negative impact on the world we live in. I feel that as creatives we have a duty to contribute to our communities using art that addresses social issues, advocates awareness and change, which can ultimately open minds to act towards making a difference.Poster design for documentary My Africa Is

Poster design for documentary My Africa Is

Who are your greatest inspirations and influences?

My mother is my ultimate role model. Her outlook on life raised me in the direction and career path I took from an early age. The arts and the various branches of creative activity have also always been a love of mine, with early memories of comic book art and vintage animation as influences. I respect and admire many international and local contemporary artists such as Jorge Alderete, Chaz Maviyane-Davies, Thami Mnyele, Dumile Feni, Emory Douglas, Jean Michel Basquiat, ROA, Pierre Bernard, Jonathan Barnbrook, and Tomer Hanuka (to name a few.) I am particularly intrigued by artists that blend the digital and traditional processes successfully. I also draw inspiration from disciplines outside my profession. These include music, cinema and literary influences from African authors such as Dambudzo Marechera, Chinua Achebe and Wole Soyinka. The work of film visionaries such as Melvin Van Pebbles, Spike Lee, Emir Kusturica, Guillermo Del Toro, Lars Von Trier, Martin Scorsese and even the surreal work of Alejandro Jodorowsky, has also often left a profound impression on me. I studied Graphic design to attain a solid foundation in traditional communication design. I believed that understanding the art or skill of graphic design might inform more unique visuals to go along with what I would later specialise in.Book cover design for When a State Turns on its Citizens: 60 Years of Institutionalised Violence in Zimbabwe, by Lloyd Sachikonye

Book cover design for When a State Turns on its Citizens: 60 Years of Institutionalised Violence in Zimbabwe, by Lloyd Sachikonye

What is the project you are most proud of?

I recently created a poster which was selected as part of the Mandela Poster Project 95 exhibition collection. The project aims to raise funds for the Nelson Mandela Children’s Hospital and the pieces will form part of the facility’s interior design as well. The poster is part of a collection by designers from around the world who paid tribute to and celebrated Nelson Mandela’s contribution to humanity. My submission for the series is entitled The Boxer and is a depiction of a young Nelson Mandela inspired by the critically acclaimed Spike Lee film Do the right thing. The piece particularly pays homage to one of the iconic characters in the film, Radio Raheem whose story about life, and how Love defeated hate echoes Mandela’s philosophy on human rights, forgiveness and reconciliation which contributed to the abolition of Apartheid in South Africa.The Boxer, poster print for the Mandela Poster Project 95

The Boxer, poster print for the Mandela Poster Project 95

What would be your dream project?

I’m quite an avid film and cinema buff so it would be pretty cool to get to work on an important cinematic project. I’ve always been interested in independent cinema, so to be involved in a project of that nature is definitely on my ‘to do list’ for the not so distant future. I would particularly like to collaborate with filmmaker Melvin Van Peebles, who I feel is an all round interestingly amazing individual with an intriguing insight and outlook on life. In my opinion, he’s a very important creative.Ghost (Xenophobia), self-portrait based on experiences as an immigrant in South Africa

Ghost (Xenophobia), self-portrait based on experiences as an immigrant in South Africa

Please name some people in your field that you believe deserve credit or recognition.

Fellow Zimbabwean (and Johannesburg-based) fine artist, Kudzanai Chiurai has been producing some really great provocative work in the past couple of years. I also admire the intricate and heavily detailed, artwork of illlustrator/conceptual artist and graphic designer Linsey Levendall. Soweto-born and Johannesburg-based Mzwandile Buthelezi, AKA Hac-One, is a street/graphic artist who is committed to growing authentic African design styles, and travels around the continent to build networks of creative people committed to using design to make a positive change. Loyiso Mkize is a young visual artist from the Eastern Cape in South Africa who uses art to enrich the world with visions that dare to break the world’s facade and inspire a greater tomorrow.Protect & Serve - a piece commenting on controversy surrounding the South African Police Service

Protect & Serve – a piece commenting on controversy surrounding the South African Police Service

What’s your best piece of advice for those wanting to follow in your footsteps?

Contrary to popular belief there are no short cuts in this game and hard work always pays off, so pay your dues. I also feel that as long as you enjoy what you do, you’ll never have to ‘work’ another day. Its all about creating the ideal job and not waiting for it to come. So in a nutshell, ’Go create!’Zulu Diva, test illustration for South African musician Toya Delazy

Zulu Diva, test illustration for South African musician Toya Delazy

What’s next for you?

I’d like to continue creating, and be able to inspire generations after me to create.Logo for the Natural Hair Appreciation Society

Logo for the Natural Hair Appreciation Society

You can see more of Sindiso Nyoni’s work at www.studioriot.com.

Network

THE U.S:

KKK – Kin Killin’ Kin is a powerful and thought-provoking series of images that reflect artists James Pate’s deep love and even greater concern for the epidemic of youth violence in the African American community. The exhibition runs until 20 November 2013 at The DuSable Museum of African-American history. 740 East 56th Place, Chicago, Illinois 60637. See more at:www.dusablemuseum.org

THE CARIBBEAN:

New Roots: This exhibition features 10 emerging artists: Deborah AnzingerVarun BakerCamille CheddaGisele GardnerMatthew McCarthyOlivia McGilchristAstro SaulterNile SaulterIkem Smith and The Girl and the Magpie. These artists were selected by the National Gallery of Jamaica curatorial team, which was headed by Nicole Smythe-Johnson, O’Neil Lawrence and Veerle Poupeye, from an initial shortlist of over 30 artists under 40 years old who were either born in Jamaica or of Jamaican parentage or who are active there. Opened on 28 July at National Gallery of Jamaica in Kingston. For more information visitnationalgalleryofjamaica.wordpress.com

EUROPE:

Ellen Gallagher: AxME at Tate Modern, London. One of the most acclaimed contemporary artists to have emerged from North America since the mid-1990s, Ellen Gallagher’s gorgeously intricate and highly imaginative works are realised with a wealth of virtuoso detail and wit. This is her first major solo exhibition in the UK, providing the first ever opportunity to explore an overview of her twenty-year career. Tickets Adult: £11.00 (without donation £10.00 )
Concession: £9.50 (without donation £8.60). Exhibition runs until 1 September 2013. For more information visit www.tate.org.uk

The AACDD 2013 Bargehouse Festival. From September 18 – 23, 2013 the Exhibition of the AACDD (African and African-Caribbean Design Diaspora) Awards is the final accolade celebrating the best of the outstanding creative talent of black artists and designers of the 2010, 2011 and 2012 AACDD exhibitions. Visit The Bargehouse
Oxo Tower Wharf, Bargehouse Street, South Bank, 
London SE1 9PH. For more information visit www.aacdd.org

AFRICA:

Meaning Motion. How does movement make meaning? This question is asked by two highly innovative interactive digital artists, Tegan Bristow and Nathaniel Stern in the exciting exhibition. Until 18 August 2013 at Wits Art Museum, Corner Jorissen St & Jan Smuts Ave, Braamfontein, Johannesburg, SA. Admission free. For more information visit www.wits.ac.za/ons.html

If you have any forthcoming events that you would like to be considered for inclusion in this column, please do not hesitate to contact me by email .